A perfect day for bananafish symbols12/29/2023 ![]() The metaphor of bananafish makes us criticize our own selves and loath our sense of greed. All of us are ensnared in our banana-filled holes. Greed leads us to destruction and we do not understand it. This bananafish story is actually a metaphor relating to the postwar humanity encircled by treasures and resources which we devour and devour without giving a thought to the consequences. The bananafish enters the holes where it spots bananas, and eats lots of them to become too fat to escape. The metaphor that we find is the bananafish and its description given by Seymour himself. His agitated mind and an unconcerned wife finally led him to death as he “fired a bullet through his right temple.” His parents-in-law calling his driving a “funny business” shows that he has been trying to smash in the trees before. His talk about Muriel’s grandmother “about her plans for passing away” shows he is fascinated with the concept of death. Why he shoots himself at the end makes the reader connect different points in the story to the tragic bloodshed at the end. Also, Seymour has become depressingly ill-minded after coming back from the war which shows how weird wars deal with people and their minds. But now, she is getting irritated over his mental state. “When I think of how you waited for that boy all through the war”, her mother says to her over the phone. Explore Tumblr Posts and Blogs tagged as a perfect day for bananafish with no restrictions, modern design and. Muriel no longer seems to be interested in Seymour and his illness although she had been in love with him. The theme in the story revolves around the matrimonial relationship of Seymour and Muriel and Seymour’s deranged mind, as we understand. Then he enters his room and shoots himself, finally proving his depression or anxiety disorder. A Perfect Day for Bananafish Seymour tells Sybil that they can go swimming and look for a bananafish. The colored dots and icons indicate which themes are associated with that appearance. Seymour gets into an elevator and gets bugged by a woman, proving that he gets irritated unreasonably. Bananafish Symbol Timeline in A Perfect Day for Bananafish The timeline below shows where the symbol Bananafish appears in A Perfect Day for Bananafish. It proves that Seymour and Muriel are struggling to find a way out of their tense routines. The plot then turns to Seymour who is out at the beach when a young girl, Sybil, comes over to him and he takes her into the water to catch some bananafish. “I’m not going to pack everything and come home”, is what she tells her mother which further proves her conflicting personality (Salinger). Muriel is irritated and seems to be in a conflict with Seymour. He worries that people will see these experiences-and his subsequent psychological trauma-just by looking at him, and so bundling himself up in the bathrobe is a way for him to close himself off from other people.The plot interestingly starts with Muriel, Seymour’s wife, sitting in the hotel and talking to her mother over the phone who is insisting Muriel spend the vacation with them. With this, the story implies that this invisible tattoo that Seymour is desperate to cover up is a stand-in for Seymour’s experiences in World War II. Surprised, her mother asks if Seymour got a tattoo in the army, and Muriel says no-he doesn’t have a tattoo. After first writing off Seymour’s behavior as simple embarrassment about his pasty skin, Muriel eventually admits to her mother that Seymour wears the bathrobe so that people don’t stare at his tattoo. ![]() More specifically, it seems that the bathrobe symbolizes Seymour’s attempt to conceal his wartime experiences-and resulting psychological trauma-from others. True to form, when Seymour leaves Sybil’s company and walks back to his hotel, he puts his robe back on and “close the lapels tight,” closing himself back up both physically and emotionally as he prepares to reenter the adult world. That Seymour so willingly sheds his robe, which appears to be a kind of security blanket for him, reveals that he’s much more comfortable with children than adults, and it points to the thematic idea that he is drawn to the innocence that children represent. But when Seymour notices that the visitor is a child, he relaxes, and it’s not long before he takes off his robe entirely to go swimming with her. When Sybil walks up and startles him, Seymour’s hand instinctively flies up to the lapels of his robe, as if he were closing it tighter and closing himself off from the interaction. ![]() Indeed, when the story introduces Seymour a few pages later, he’s lying on the beach with his eyes closed, but he’s bundled up in his robe. However, his bizarre attachment to the bathrobe actually symbolizes how he closes himself off to other adults and the adult world they inhabit. Near the beginning of the story, Muriel complains to her mother that Seymour refuses to take his bathrobe off, which she flippantly attributes to him wanting to hide his pale complexion.
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